Khloe Kardashian and French Montana have never done an interview together. And now we know why!
Khloe comes in around minute 17, but you can see the entire interview ...AFTER THE JUMP!!!
[Image via iHeartRadio.]
What a treat!
More than 16 years after we saw Side Show on Broadway - twice! - we got to see a brand new and reimagined production at the Kennedy Center in Washington, D.C.
The show, by Henry Krieger and Bill Russell, has one of the best scores of all time! And it truly is one of our favorite musicals!
Not only are the songs stunning but the story speaks to our soul! It's a tale of outsiders and love!
Based on the life of the original Hilton sisters, long before there was a Paris and Nicky, Daisy and Violet were conjoined twins who lived a difficult life - unwanted, unloved, "freaks" in the side show. Eventually they found fame in vaudeville and the movies before dying poor and barely remembered.
This new production, directed by Bill Condon, is VERY different from the original production. And it still has a little work to be done before being Broadway-ready.
And this MUST play a triumphant return on Broadway!
The new Side Show is darker and more lifelike. They've basically done to it what Christopher Nolan did to Batman, which was AWESOME!
Much of that credit goes to the direction and the visionary and brilliant new costumes from Paul Tazewell and the special makeup and effects design of Dave Elsey and Lou Elsey.
There are a few new songs, and thankfully none of the iconic original ones are gone. There are a few more characters. Some, like the introduction of Houdini, are unnecessary. However, learning more about Daisy and Violet's backstory and their wicked caretakers is quite illuminating.
Act 1 felt a bit bloated and could use from some slight trimming, as well as a bit more razzle dazzle and bang for Broadway. Bigger sets! Moving pieces. Etc.
But, overall, this new production is dazzling!
And there are some thrilling performances!
Emily Padgett's voice is UNREAL and she gets to show that off so beautifully as Daisy! And playing the sister with a bit more heart, Erin Davie brings so much emotion and superb acting to the show, as well as a great voice of her own.
Alice Ripley and Emily Skinner, who first played Daisy and Violet, would be proud!
And the breakout star of the show is David St. Louis as Jake, Daisy's jilted wannabe lover, in a role originated by the phenomenal Norm Lewis! Tony Award-worthy!!!
Big kudos to everyone involved!
Can't wait to see it on Broadway and the final tweaks and improvements they make!!!
What is the takeaway from Holler If Ya Hear Me, the new Tupac Shakur musical, now playing on Broadway???
We're not sure what the message of the show is - and that's not a good thing!
What we do know is that it's bleak, depressing and disappointing on so many levels.
A risky move, the creators and producers of the show decided to NOT tell the story of Tupac. Instead they told a story about gun violence and drugs that was not as effective or powerful as the Shakur songs used throughout the show.
Beautiful is beautiful because it's a real story about real emotions and experiences that we can all relate to.
Same with Motown.
Holler If Ya Hear Me, unfortunately, is trying to be a little too ambitious and feels extremely undercooked.
We didn't need a "traditional" musical about Tupac. Something bolder and braver would have been quite brilliant. An exploration on politics, race relations or a myriad of other issues (many or one) would have been much more effective.
The traditional musical NOT about Shakur that is Holler If Ya Hear Me is lacking the passion and vibrancy that Tupac had.
There is very little dancing, which shocked us.
And there's very little of everything. The set is lacking and the whole production seems like it was done on a budget.
Multimedia, video, illustrations - all that could have added so much more!
This show would have worked better in a small off-Broadway theater downtown… after a lot more workshopping and revisions!
We missed the spunk. We missed the light.
You can miss Holler If Ya Hear Me!
Every ten years or so comes a movie or a play that attempts to illustrate what life is truly like today.
Like a more current and funnier American Beauty, the show is filled with characters who have crushed dreams, failed relationships and so much more!
Whereas a few years ago a similar play may have been darker and more cynical, American Hero is filled with moments of hope and almost non-stop laughter.
Telling the equally bizarre and somehow all-too-realistic tale of three workers at a fancy sandwich shop, playwright Bess Wohl masterfully mines the everyday and mundane into comedic brilliance.
Who knew making a sandwich could be so funny???
The show is about the big and the small. The good and the bad. Working together as a team and how sometimes we get the best of ourselves and each other.
A lot to explore in just 90 minutes with no intermission! A feat executed under the direction of Leigh Silverman.
Thankfully this show has a great cast - all who do a wonderful job. They include Jerry O'Connell, Daoud Heidami and Erin Wilhelmi.
AND Ari Graynor delivers an inspired and revelatory performance as a loose mother who is down on her luck and even more down on herself.
Sitting in that audience we were IN AWE of her comedic timing. Her complete immersion in this character. The way she was able to be big and ballsy yet also intimate and authentic.
She was so invested in every moment! It was a pleasure and a privilege to get to watch her do this part.
Ari Graynor is a superstar! We can't wait until the rest of the world finds out!!!
Bullets Over Broadway is a fine show. Unfortunately, fine isn't good enough for a Tony nomination for Best Musical nor is it likely to help sustain a long run.
The new stage adaptation of Woody Allen's film is firing blanks.
The show was poised to be a big smash of the current season, with an all-star cast lead by Zach Braff and spearheaded by an all-star director, Susan Stroman.
While Stroman's last Broadway musical, Big Fish, was spectacular and filled with wonder, awe, imagination and playfulness - Bullets Over Broadway is "by the book".
Harmless. Inoffensive. Not a bad time. But not a great time.
It's all been done before. Mobsters. Self-reflection. Etc. Etc.
A lot of the blame lies on the material. The songs chosen are little-known jazz standards from the early 20th century. If they're "little-known", that should tell you something about the quality of the tunes!
The show's other big weakness is that not every movie works on the stage. Allen's characters from the film don't hold up well when having the spotlight on them and amplified on Broadway.
They aren't characters as much as they are caricatures.
There's Braff doing Woody. There's a girl doing a Cyndi Lauper impression. There's all these fine actors giving fine performances, but it's hard to relate to any of them because these characters are drawn so superficially.
There are, however, two standout performances.
Once again, Betsy Wolfe proves she is one of the top leading ladies on Broadway! Not only does she have one of the best voices, but she is also such a superb actress! She infuses the show with so much heart and humanity, something it's sorely lacking.
And the other standout Nick Cordero, who turns his one-dimensional role into a fully-fleshed and fantastic portrayal!
We love going to see shows. All kinds of shows.
We're a big supporter of the arts and live entertainment especially, so it pains us to see something as disappointing as Under My Skin, a new play currently off-Broadway at the Little Shubert Theater.
We have seen actors who are starring in this show before in other productions. We know they're good. Real good! Unfortunately, sometimes you're just saddled with really bad material. Such is the case here.
As you might be able to tell by the artwork above, Under My Skin isn't campy and fun. It's cheesy and cheap!
The show feels like a bad romantic comedy from the 1980s that was made for a cable network.
Sorta like Big with health care reform and sex thrown into the mix, the show tells the story of a man and woman who swap bodies and the greedy dude learns empathy and altruism from the noble woman.
Unfortunately, the humor in this comedy is in short supply. The jokes are forced and so often the material is preachy and too obvious. You don't need to hammer the audience over the head and explicitly recap what we should already be feeling and thinking.
Robert Sternin and Prudence Fraser are making their New York debut with this play they wrote. They previously found lots of success writing for sitcoms. So at least they've already accomplished lots and are now pursuing their original passion, theater. We applaud that and despite us strongly disliking this show, we hope they continue to pursue their dreams!
On the bright side, the scenic design by Stephen Dobay was awesome!!!
Queen Of The Night is an extravagant feast for the senses - ALL of them!
Brought to you by many of the same people behind the hit Sleep No More, Queen Of The Night shares many similar sensibilities - but it is a FAR superior and satisfying show!
Like Sleep No More, Queen Of The Night is an immersive AND interactive show.
Unlike Sleep No More, Queen Of The Night has more focus and an easy-to-follow plot. You know where to look, when to look and you leave the night feeling entertained, satisfied and stuffed!
The premise of Queen Of The Night is simple. A love story. It's very Romeo & Juliet as told through the minds of some mischievous merrymakers.
It's like a Baz Luhrman film come to life!
This feast for the senses of a show includes stunning visuals! Gorgeous costumes! DANCING! Magic! And some truly thrilling acrobatics that enhance the sweet, satisfying and very NC-17 plot.
This is a love story with lots of… SEX!
And to enhance the intimate mood guests are liquored up and fed!
The one thing that we didn't like about Queen Of The Night was this almost hyper extravagance that came with the meal. It wasn't just dinner - it was en event! And a very carnivorous one!
We like meat. We eat meat. But it just felt a wee bit gross when a swarm of cooked baby pigs came waltzing into the ballroom and onto the plates of many tables - as did huge racks of lamb and other dead animals. We had full lobsters on our table. We like lobster, but ours wasn't even made easy to eat with some pre-slicing and the like. It was messy and laborious so we just opted to have the vegetarian paella instead.
But we felt bad that we left so much lobster on our plate. And we felt even worse that so many baby pigs have to be slaughtered and then only half eaten or less by each table. Unnecessarily wasteful!
Now that we got that out of the way….
Dessert was delicious!
Chocolate cake was brought out and the only way to eat it was to be spoon-fed by the performers!
And what's even more super fun is that the show you see is only about 70% of all the action. A lot happens in the hallways, in hidden rooms and backstage.
At one point a guy from a table next to ours was taken away and he returned a few minutes later fully undressed with just his underwear on!
We were lucky enough to have two "interactions" - a very seductive dance that was performed upon and with us, and then we were taken… Well, let's not reveal all the surprises!
And adding to the fun of it all is the strict "fancy" dress code that Queen Of The Night enforces. People really did it up! So fun!
Queen Of The Night is not just a show or a show with a meal. It's a whole night! A night you'll never forget!
The new Broadway revival of Les Miserables is like eating a big steak at a fancy restaurant and then having lots of dessert!
The meat is that exquisite, timeless and iconic score by Claude-Michel Schonberg and Herbert Kretzmer. A steak cooked properly is always tasty! And this Les Miserables is juicy!
The dessert is some phenomenal performances!
The men RULE this production!
Ramin Karimloo as Jean Valjean gives one of the best performances we have EVER seen in the theater! His voice is so unreal we thought they may have been using live autotune or a ton of reverb. They don't. His voice is just THAT GOOD! Such an awe-inspiring instrument!!!!!! And his acting was superb as well!
Will Swenson makes you forget all about Russell Crowe as Javert. He was so convincing, it was as if he was born to play this part!
Andy Mientus is every bit the heartthrob as Marius. He has the face and voice of an angel! The audience just falls in love with him! Great singing, great acting and we need to mention great looking again! Cuz he is!
And Gaten Matarazzo as Gavroche is just equal parts cute, insanely talented and heartbreaking!
Kudos to Keala Settle for being the standout woman as Madame Thenardier. In addition to her big voice she brought her big comedic chops and brought some much-needed levity to the show! So funny!
Directors Laurence Connor and James Powell did a fabulous job of making the show different enough from the original but not messing with it too much to screw up a really good thing.
This production feels epic but also has some truly beautiful intimate moments too!
And congrats, as well, to Christopher Jahnke, Stpehen Metcalfe and Stephen Booker for their great new orchestrations.
A big round of applause and a standing ovation!!!